The next nine are roughly in F with some echoes of the introduction included.
Bars 18 through 26 extend the chordal structure of the preceding section on the dominant, forming the first subject.
Wednesday, February 25, 2009
Piano Sonata in F, Episode 1
I sketched out the structure of the first movement while waiting for a concert by three sopranos to begin with a bit more added during intermission, though the only connection between the sketch and the music heard is temporal. The first eight bars are an introduction in C seasoned with A minor.
The next nine are roughly in F with some echoes of the introduction included.
Bars 18 through 26 extend the chordal structure of the preceding section on the dominant, forming the first subject.
The next nine are roughly in F with some echoes of the introduction included.
Bars 18 through 26 extend the chordal structure of the preceding section on the dominant, forming the first subject.
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