Piano Sonata in F, Episode 3

This completes the exposition. The melodic emphasis is intended to be the quarter-eighth and eighth-quarter note rhythm, which moves back and forth between the two hands into the coda where echoes of the introduction take over. The coda departs from C major, passes through E minor to end on G major in preparation for the development, which starts in C major. There is work yet to be done on articulation, but I’ll return to that later.