The (Re) Development

I kept the bit about alternating the first theme motive between right and left hands, but slowed down the change of keys. It starts in G, touches C in measure 42 briefly, then rises into B flat. The overall pace is quick, without any cadential pauses, which is good for a development section I think. It also has, to my ears, a hint of Baroque, though it is nowhere near contrapuntal or fugal or anything like that. The harmonic progression in the first five bars from G major to E minor to C major turned out well.