Sonata in G – Finished Draft of the Recapitulation

Here is the complete first draft of the recapitulation (starting with one bar from the end of the development.




The Alberti bass in the second subject lends an air of calm (to my ear) as do the ornamental mordents (lower and upper) and trills.



The coda starts out as a soft echo of the 2nd subject, but builds through fragmentation and repetition of bits of the second subject, and a crescendo, to the end.